It Was One of Us

Character:Emily Winstead
Director: Nell Scovell
Writers: Claire Scovell Lazebnik, Nell Scovell
Release Date: November 11, 2007
Genre: Comedy / Drama
Other Stars: Jordan Ladd, Elisa Donovan, and Marissa Jaret Winokur

 

Media

Premise

Five former college roommates (Jordan Ladd, Elisa Donovan, Sarah Joy Brown, Marissa Jaret Winokur) gather years later for an emotional reunion. Although their lives have taken different paths, they still feel a strong bond and each reveals a dark secret about themselves. A week later, they receive a blackmail note demanding $10,000 in cash or their secret will be revealed. Clearly an inside job, which one is desperate enough to sacrifice it all? Long-standing jealousies surface and nothing is as it appears, even when one discovers the blackmailer and then turns the tables on her in a desperate bid to salvage whats left of the friendship.

About–In Depth

“Written by the Boston-bred sister team of Nell Scovell and Claire Lazebnik and directed by Scovell, the film follows five former college roommates who gather for their 10-year reunion. It’s a bit of a false pretense, since it turns out that four of them live near New York City, but let’s forgive. The point is, all of them are predictably unsatisfied with life: There is the dermatologist (Marissa Jaret Winokur) who struggles to pay her bills; the wealthy housewife (Sarah Joy Brown) who regrets her lack of identity; the investment banker (Kira Clavell) who doesn’t have a social life; the college professor (Elisa Donovan) who can’t stand being poor; and the socialite (Jordan Ladd) who’s estranged from her wealthy family.

After they convene at an unnamed college - brief Boston exterior alert! - they snag a key to their old dorm room, which looks like a suite in a boutique hotel. Passing around bottles of champagne, they proceed to share deep secrets from the past decade. Turns out that all of them have sinned, crimes ranging from adultery to plagiarism to insider trading. A week later, identical letters arrive at each of their homes, threatening to expose the secrets unless they each pony up $20,000.

Under the assumption that the blackmailer is the friend with the clean record, the characters set about investigating each other’s sins. “C.S.I.” this isn’t; it’s more of an excuse for yoga jokes, gags about oral sex, and unsurprising fantasies. Every childbearing woman on TV, after all, wants to be seduced by an English lit graduate student with powerful-looking biceps, right? Or a Spanish soccer star who can’t wait for his divorce to go through? Or a husband who is man enough to put the kids to bed alone?

In fact, husbands and boyfriends barely register in this film; they occasionally beg our heroines to share their troubles, then step aside glumly when rejected once again. Lifetime is far more interested in the vagaries of female friendship. And it’s here that the film has potential to be a dark, sharp study of schadenfreude: Each character seems to find a little bit of glee in learning that her friends aren’t as happy as they look.

But the edges are decidedly rounded here. The movie settles on celebrating sisterhood - another false pretense, since these characters clearly haven’t been close enough to share or trust. Still, they go through the motions of accusing, forgiving, and trading big hugs at the end. Guilt doesn’t even seem to factor into the equation. And “peril” isn’t part of the vocabulary.”


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